Red Pants for the World is a project designed to support an army of young women living created lives, altering the planet. We are committed to all women living great lives despite their circumstances. Our first program is to support the women in rural Afghanistan.

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Thursday, June 24, 2010

New Pictures from Solidaire Provence Afghanistan

Here are new photos from Afghanistan and Nafissa - the beautiful faces of the children. I believe these are from her village where she is supporting a school. I've included two poems written by Afghani women from How2.



The beautiful poems are from How2 New Writing
http://www.asu.edu/pipercwcenter/how2journal
Written for women in Afghanistan


My world
Where is the ear
to hear my cries?
Where is the eye
to see my tears?
I am the ashes of a hopeless fire
Where is the wind
to refresh my flames?
I am a silent Darvish
sitting in the cell of my grief
Where is the flute
to sing my sorrows?

 by Fevziye Rahgozar Barlas







Promise

Remember you promised
When the birds fly back home
When the winter is gone
When the spring sun shines again
You will be here
You will be back
Winter is gone
Birds are back home
Spring sun is shining
But.........
You are not here
You are not back 

by Fatana Jahangir Ahrary


Wednesday, April 7, 2010

I REMEMBER - writing about loss

With the recent losses of my niece, Emily, and my long-time friend, Marilyn, I'm focusing Red Pants for the World right now on the legacies of those who have gone and using writing to make meaning of these legacies.

My long-time friend, Peggy Bloczynski, is blogging today about her memories of her brother, the impact of his loss to her family and writing about that.

Do you remember when . . .

We were a typical family in the 50s – mother, father, older brother, little sister.  Dad went to work each day; mom stayed home.  We never had a lot of money, but we always had enough.  I remember little things from those years.  Long summers outside, riding bikes and playing.  My friend, Karen, and I kept a monopoly game going in her basement, a respite from the heat and humidity.  I think it was a happy time.  We were not a demonstrative family.  Love, for my parents, was in the doing.  We were cared for and valued. 

My brother, Harold, was six years older.  In those early years, the age difference mattered.  Maybe it always mattered.  Only fragments of memories come to me:   watching I Led Three Lives on the old black and white set;  playing badminton in the back yard; tattling when I saw him smoking.  We lived alongside each other.  Liked each other.  Barely knew one another.

I do.
I remember where.
I remember how.
I remember who.


By the early sixties, we had moved to the suburbs.  For the first time ever, I rode a bus to school and spent the day with kids I hadn’t known all my life.  My brother had been allowed to finish out his senior year at his high school in town.  He drove back and forth, his world very separate from mine.  I think now about the sacrifice my mom made, allowing him to take her car each day and leaving her at the house.  She did it without resentment, knowing, I think, how much greater his need was than hers.  They were bound in a way I did not understand.  I would see them talking at the kitchen table about his day, perhaps his plans and dreams.  Years later, I would see her sit with my own son in much the same way.  I saw the tenderness and love in her eye, the way she tilted her head, the softness in her voice; shadows of the child who first held her heart.

And the what - - Oh I remember the what.
It is somewhere always with me.
Some days beneath the every day;
Some days at the top.


Harold enlisted in the army after his high school graduation in 1964.  The war in Viet Nam was in its early years.  Young men were encouraged to enlist and apply for special training to avoid or delay combat assignments.  Harold was accepted in the Army Intelligence program and landed, after basic, in a training program in Texas.  It was during that time that I received the first and only gift I remember from him.  It was a gold, wind-up alarm clock.  It came, not in today’s shrink wrap, but in a sturdy box embossed with the manufacturer’s name.  A birthday gift.  I’m sure my mother had told him to send something, but that has never mattered.  I was touched and awed by his gesture.  Even now, when I take it carefully off the shelf, I know the wonder of that moment.

My mother would talk later about the car.
Dark.
A stranger’s car.
Up and down the street, looking for just the right house.
Ours.


We have a photograph of my brother sleeping in the backseat of the old Chevy.  He was home on leave before heading off to Viet Nam.  I must have known he was going, I must have known this was a scary thing – but all I remember of that visit is standing on the toes of his combat boots while he held me steady.  What did he think of me then?  What would he think of me now?  My mother told me much later that he sobbed the night before he left.  She comforted him, reassured him, urged him to put his trust in God. . . That memory tore at her later.  How could she have allowed him to go? 

My picture has two men coming to the door.
Uniforms.
Very somber, very sorry.


I had never seen my father cry before.  It would be years later, as he approached his own death, that I would see him cry again.  The military had been a good option in my dad’s eyes.  A World War II veteran himself, he valued the sacrifice, honor, and service the uniform symbolized.  Like many men in those times, his role in child rearing had been limited.  As the youngest of 16 children in a poor, rural family, his relationship with his own father had been distant.  I suspect he had looked forward to knowing his adult son, the man who carried his name.  

My dad . . .
He never showed me the image he held.
Never talked about that night.
Never
.

Harold’s death came early enough in the war that each dead soldier’s body was accompanied by an honor guard once it was returned to the States.  For days, our home was filled with friends, family, food, and phone calls.  My mother spent hours in bed, sedated.  My father welcomed people into our home.  I sat and watched.  People whispered about my bravery.  No tears from me.  Bad dreams, vomiting at night – but no tears.  Not then.  I did not know yet what I had lost.

My brother was dead.
Too young, too much to live for,
Too close to a war far away.


My mother refused to wear black.  She arrived at the funeral in a two-piece lime green suit, one of her favorites.  Years later, she said it was an action of faith.  She believed firmly in life after death.  She would not shroud herself, would not allow the death of this body to overtake her belief in eternity.  She never forgot, or forgave, those who criticized her in this matter.  I believe she faced a horrible loss and reached deep to find a way in which she could survive.  It was not until I had children of my own that I could begin to understand the strength and courage she must have summoned.  To bury a child . . .

The shells that took him took part of each of us.
My mother’s boy; her dear, sweet boy.
My father’s namesake, his footprint in the world.


I say, often, that my family changed then.  Especially my mother.  I say she was distant, not interested in me.  But I was 14 years old and, I suppose, not  particularly interested in her.  I had always been my daddy’s girl; Harold had always been my mother’s boy.  Where did that leave us?  My mother placed the responsibility for my brother’s death in my father’s lap.  If only he had been more supportive when my brother was young, more encouraging when he was a teen, more insistent on the safety of college instead of the obligation of the military.

Years of living with pain, beside pain
Unspoken.
Mother’s tears.
Father’s silence.


It was easy for me to leave home for college in 1970.  Visits back brought pampering and spoiling from my mom.  I looked forward to those times.  After I married and settled in the Midwest, we established routines of visits and trips.  It was the birth of my first child, though, that allowed me to see what used-to-be.  My parents adored David.  They would coo and gaze at him.  I wondered, tried to remember – had it been like that with me?

The loss of a sibling, the shared memories.
A foothold.
No one who ‘remembers when . . .’ for me.


Questions.  Always questions.  Still questions.

This is war.
These are casualties.
Forty years gone,
But always near.


I look for lessons.  I look for reasons.  Is there only loss?  Surely, not.  I am pragmatic; I am realistic.  I survive.  I care deeply and feel deeply.  I laugh.  I am happy.

And sometimes . . . . sometimes, I cry.

Sunday, March 21, 2010

EMILY'S PROMISE





On Monday, March 15th, my niece, Emily Wilkes, one of my original Red Pants Girls, walked on, leaving behind many family and friends who will miss her spirit.

STAY HERE- REMEMBER ME
A Poem for Emily

Stay Here
I looked and could not see you,
Slowly fading into the mist of days.

But to the end we fought to keep you here,
And make you stay.

You lent us your gentle spirit,
But I felt your need to break away.
In the end, your spirit knew best
How to soar free, not to stay.

Remember Me
For your love of things struggling in the world,
We remember you.
For your light step and lighter laughter,
We remember you.
For what we can make of our lives from yours,
We remember you.

God speed, Emily
Fly free and
Watch over us all

Emily's Promise - Do something good for the world in Emily's name

Monday, February 22, 2010

I'VE BEEN HYBERNATING - BUT I'M BACK!

I've taken the past two months off to just 'be', consider my next 30 years and what my real commitments are.  Red Pants will always continue and I am getting ready to send Nafisa another piece of cash from donations over the holidays to continue purchasing books and other materials for her rural village in Afghanistan.

I've been reading "Stones For Schools" by Greg Mortenson and "Half the Sky" by Kristof and Wudunn - both gifts for Christmas from my daughter, Rudi, and her partner, Melissa. I recommend them both as real glimpses at the lives of some girls and women on our planet.

Remember to visit www.cafepress.RedPants

Judi

Wednesday, December 30, 2009

Another HAPPY NEW YEAR! 2010!


Nafi on the roof
Here we are again - a few hundred dollars more going to Nafissa in Afghanistan and a quiet period for now. I should be back up with more activity around Red Pants in the next few months, planning on following up with two new groups here in the US. My $500 loan to Kiva.org has been 50% paid off so more money will be freed up to send to Nafi and having had a discussion with a friend in Michigan, I'd love to see a Red Pants group going there. We'll see how the new year goes.

Monday, August 10, 2009

Red Pants at Silk Road Festival


We had a great musical event - the 17th Annual - amazing musicians and lots of people, including an interview on PBS about Red Pants and I met a documentary filmmaker who I hope to connect with Nafissa -

Monday, August 3, 2009

SILK ROAD ENSEMBLE CONCERT!


Red Pants for the World is partnering with Silk Road Institute/Silk Road Ensemble for A Musical Journey Along the Silk Road.

On August 8, 2009, master musicians representing the Middle East, Central and East Asia, the Caucasus and Europe will converge in Bloomington for the 17th Annual Silk Road Festival.

This year’s festival is titled “Undiscovered Treasure: Masters of their Crafts” and will take the audience on a “Mystic Journey” with featured artist, Iranian master of the Setar, Jalal Zolfanoon.

Dr. Shahyar Daneshgar, Silk Road Ensemble and Silk Road Institute director and co-founder of the Lotus World Music Festival, yearly assembles some of the greatest living masters of traditional instruments to transport audience members to lands marveled at by Marco Polo. Dr. Daneshgar is an Indiana University faculty member and musician trained in the Tehran classical conservatory.

Silk Road music reflects a millennia of cultural exchange between East and West. You might identify hints of Spanish flamenco or Gregorian chant in the complex rhythms. The instruments on stage will reflect the cross-fertilization of cultures: some resembling violins, others close to lutes and tambourines. Some singers imitate nightingales, and others are able to simultaneously produce different tones in the throat.

Each year the Silk Road Festival highlights a master performer from one country. On this occasion, we proudly present Master Jalal Zolfonoon, the Iranian setar virtuoso, whose name is as famous as that of Ravi Shankar, in the domain of Persian classical and mystical music. The eminent Mr. Zolfonoon singlehandedly brought the setar back to prominence in Iran after cultural and artistic restrictions imposed following the 1979 Revolution, and recorded the best-selling Iranian folk album to date, “Flower of 100 Petals”.

Just returning from his latest international tour, Mr. Zolfonoon will be joined by his son, another famed Persian classical musician, and the usual line-up of talented ensemble artists from Mongolia, Azerbaijan, Turkey, India, Russia, Afghanistan, and more. These artists will also offer a public lecture entitled “The Musical Traditions of the Silk Road Peoples” on the evening of Friday, 31 July from 7 to 8:30 p.m., in Ballantine Room 109, and a workshop on “The Classical Music of the East” on Saturday, 8 August.

This year’s concert also marks the launch of the Silk Road Institute, a non-profit organization advancing education about the arts and culture of the Silk Road regions.

The concert is scheduled for Saturday, August 8 2009, at 5:30pm in the auditorium of the First Presbyterian Church, 221 E. 6th Street, Bloomington, Indiana. Tickets are available at all Bloomingfoods locations and are $5 in advance, or $7 at the door. IU students with ID are admitted free.

Please see www.silkroadensemble.com for more information, or contact Dr. Shahyar Daneshgar at 812-322-4702, or Administrative Director Sarah Forbey at 202-306-7234 or sarah@silkroadensemble.com

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